Thursday, June 11, 2015

Dune Burger All The Way

11 x 14
Oil on Birch Wood
On display and for sale at Artsource Fine Art, Raleigh


I was headed back home from Nags Head a couple of weeks ago when out of the corner of my eye I caught a quick glimpse of this beauty headed south on the beach road. I wheeled in on a side road as quickly as I could, and within a few short minutes, I was right behind this classic 48' Buick Roadmaster Estate Wagon (aka Surf Woodie) as it was pulling into Jennette's Pier. As the owner/driver took two tries to straight park this long antique in a modern day parking space, I quickly got out and introduced myself with my card as I asked if I could take some pics. 

The owner was very proud of his restored toy and had no problems at all with me drooling over it as I took snap after snap. I mentioned that it would be great if there was a long board on top, and he told me to go home and get mine if I wanted to put one on the roof for the picture. I told him that was ok and that I could work one in on my painting by memory. Only a Dewey Weber with the classic hatchet fin would suffice. I asked if there was anyway he could drive the woodie across the street to the Dune Burger for that would be the icing on the cake. Two beach classics in one pic. He told me to hop in. Man what a charge to ride in one of these - the undisputed King of highway surfing vehicles. 

Dune Burger
Nags Head, NC
2015

Tuesday, June 9, 2015

Swim Break

12 x 12
Oil on Birch Wood
On Display and For Sale at Artsource Fine Art, Raleigh


A cooler full of Red Stripe and an old wooden cable spool for a makeshift table certainly are both key ingredients for a beautiful day on the beach. 

Friday, June 5, 2015

Tastes Great Less Filling

12 x 12 
Oil on Birch Wood
Alla Prima Still Life

It's Summer time. What else can I say?

Friday, May 15, 2015

Tuned In

24 x 30
Oil on Birch Wood Panel
On Display and For Sale at Seaside Art Gallery, Nags Head

A few weeks ago I ordered Lynn Gertenbach's dvd titled "One Hour Plein Air Landscape".  One thing among many that really intrigued me was Lynn's practice of sometime going back to the studio after a plein air session and instead of using the plein air piece for reference for a bigger studio piece, she will paint the scene strictly from memory with no visual peeks back.  This is a good way of determining what was really important to the artist at the beginning as that area of interest will stand out on the "from memory" piece.  

After first painting a marsh scene with Artist John "Possum" Silver on Ice Plant Island in Manteo a few years ago, I returned recently after watching Lynn's dvd and painted the same marsh scene again, titled "Last Sun on Ice Plant Island".  I had painted other marsh scenes with water cuts, so when I returned home I decided to try one strictly from memory. Definitely having to really tune in to remember perspective, design, and form this was a great exercise.

Wednesday, May 13, 2015

Not Too Old School

SOLD
11 X 14
Oil on Birch Panel


 Spring has sprung when Sir Ralph Clark lays it down with a pink long coat and matching boots. As I stated in earlier posts, any given Saturday Morning in Windsor, Sir Ralph can be seen in his latest.  I do not miss an opportunity to take a pic. This was a while back in early Spring last year and sort of an overcast cloudy day. It didn't matter for Ralph as he came up and gave me the trademark  hand shake and hug, and said, "It's a beautiful day my Brotha!"


Wednesday, May 6, 2015

Pride of the Carolinas

12 x 16
Oil on Birch Wood Panel

My second interior painting of the ladies at Bunn's Barbecue in Windsor, NC.  The aroma of  vinegar based sauce, the nostalgic signage hanging from the wood paneling and the sound of Pepsi bottle caps falling in the box under the wall mounted bottle opener takes one back to a much simpler time - even if it's just for lunch on a Saturday afternoon. 


Karen and Janice 
Bunn's


Saturday, April 25, 2015

Fire up the Frydaddy for White Tom's Tom!


18 x 24
Oil on Wood Panel
For Sale and on Display at Artsource Fine Art, Raleigh



One of many things that separates turkey hunting from other kinds is the story telling that follows each hunt. Duck hunting stories are often based off numbers and how they did or did not fly into the decoys, etc, etc. Deer hunting stories can have a little spice, but usually are summarized with the same 'ol same 'ol about how the big buck came out right at dark chasing does, etc., etc. A turkey story, however,  is never the same and is often filled with intense moments to reflect upon after the hunt. Every hunt holds a different account of how a Tom strutted forever before coming in, how he attacked the decoys, how the hens were pulling him away, etc etc. The hunt is often filled with "military style" stomach crawling coupled with long pauses of not moving a muscle, and finally full adrenaline as a full blown gobbler is barreling in as the gun's safety is clicked off and the trigger is squeezed.  . 

On opening day my son and  his friend came back home with a nice Tom measuring an eleven and half inch beard.  As always, the bird was spread out on the tailgate of a pick up as someone yells out to the harvester, "Let's hear it!", signalling the beginning of the oral recount.

The young hunters said that they had set up on a path locally known as the "Camp Road" which is under lease from a local gun club of which my son's hunting partner is a member.  The club has more members than not owning deer hounds and fox hounds so muddy pickups with dog boxes in the back are the norm - not the exception. The Camp Road is the I95 of dirt roads as there have been hundreds of thousands of miles logged here just riding "looking dogs" (aka retrieving deer hounds). This road and this activity is held with great passion and is not just a road for deer season, as members get their full money's worth year round "running cats" ( aka unleashing their hounds on wild bobcats).  My son said they had a couple of decoys setup on the Camp Road and had a gobbler thundering and coming in from behind in no time. He was answering the call and in full strut. Everything was coming together for a great hunt when suddenly a blue pickup with a cab high dog box in the back came cruising by slowing down just enough to drive around the decoys. It was White Tom - a club member who hasn't missed a day in decades driving down that road with his dogs.  The good Lord willing and the creek don't rise, two young boys trying to turkey hunt were not going to stop him from his daily ritual as he just smiled and drove on as if hadn't harmed a thing. The boys shook their lowered heads in disappointment as the gobbler retreated into the woods. The hunt was over as quickly as it had started - so they thought. 

As White Tom's truck disappeared around the curve, the gobbler, out of nowhere, suddenly came back out in full strut, spitting at the decoys and ready to fight. My surprised son was able to swing the gun around just in time to make the shot. Got em!

As he was finishing the story back at the truck, he said, "We couldn't believe it. We thought White Tom had ruined the hunt and it was all over, when all of a sudden the bird was right back out as if the truck hadn't spooked him at all. We couldn't believe it!"

A couple of us, who were familiar with the club and especially White Tom's penchant for religiously riding that road day in and day out,  started laughing. The boys were a little befuddled at our response as they certainly didn't see any humor in that particular situation. When I caught my breath, I said, " Boys, since the day that gobbler cracked the shell as a poult he  has seen that truck, those dogs, and White Tom cruise by. White Tom was nothing more than another Tom to that Tom!" Someone then spread the feathers out and said, "White Tom's Tom!" as we all laughed again.


Nixon Rascoe and Miller Trowell holding White Tom's Tom
Bertie County, NC 
2015


Good 'ol tailgate court doesn't end there - especially if there is a beer or two in the cooler, so conversation then shifted towards how White Tom got the nickname White Tom. No one really knew the answer but only could agree that is what he has always been called. There was one school of thought that held the theory that since White Tom had platinum blonde hair as a young man and his first and real name was Thomas, that folks  naturally started calling him White Tom.  It was agreed, however, that this explanation was way too plausible to actually be true in Bertie County. There had to be another less sensible reason for this nickname's origin that wouldn't quite dovetail as easily and would leave one in full head scratch. An investigative committee was formed and dispatched on recon to gather intel. A few days later a personal interview was conducted with Mr. White Tom himself, and sure enough the first theory that made the most sense was proven to be false.

Back at the tailgate, it was reported that one day young Thomas drove over to Roper in neighboring Washington County to see a man about a dog. He returned home with a white dog.  When everyone saw him suddenly with a white dog, they started calling him White Tom. It was then deduced at the follow up meeting that their logic would have been the same if young Thomas had returned home with a black dog since his white blonde hair had been given no consideration and had no bearing at all on the origin of the nickname.   It was then  unanimously agreed with all Yays and duly noted in the minutes that White Tom could have just as easily been named Black Tom if he had returned home from Roper with a black dog. Court was adjourned. Case Closed.

Saturday, April 18, 2015

Still on Watch

12 x 16
Oil on Wood Panel
Plein Air
SOLD
Commissioned Painting


One of few remaining, if any,  of the 19th Century "Screw-Pile" Coast Guard lighthouses, this old beacon is now back in the water as part of its restoration process that is still under way in Edenton Bay. Each metal piling that held and holds this building now was literally screwed into the sound or river bottom in the effort to help prevent them from pulling up in a bad storm. Known to local historians as the Second Roanoke River Lighthouse,  this rectangular wooden framed light station was built at the mouth of the Roanoke River in 1887 to replace the original screw-pile that had burned down in 1885.  The Roanoke's mouth is across the Albemarle Sound on the Washington and Bertie County side and served for two centuries as the gateway to Plymouth and thoroughfare to other agricultural and timber port villages further inland. A light had been needed to aid the many schooners and ships in their navigational needs as they sailed up the sound in route to the Roanoke.

Decommissioned in the mid-Twentieth Century by the Coast Guard, it still sat on the its screw-pile frame for many years.    After the Coast Guard turned the light off and took the flag, this building, as it still stood at the mouth of the Roanoke, became a de facto clandestine den of sin /  hiding place for bootleggers, poachers, extramarital rendezvous, high stakes poker games and anything else that wasn't acceptable or legal on land.  During this time, local waterman and dredger, Emmett Wiggins bought the structure from the US Government for something like ten dollars.  A retired Naval Engineer, Wiggins devised a plan to transport the old light station across the sound to his lot overlooking Pembroke Creek in Edenton. This involved removing the inner screw piles and floating his half submerged WWII infantry beach landing craft under the frame where it sat until the outer screw piles were disconnected but still left in place to support the building until the water was then pumped out of the half sunken vessel. As it slowly rose out of the water it lifted the lighthouse off of the pilings and rested the old building evenly and balanced on its two gun rails. "Screw-Pile II" was then transported back to Edenton and served as Wiggins' home until he died. In 2007, the Edenton Historical Commission purchased the lighthouse,  and it was moved and placed on top of screw piles once again in Edenton Harbor just off of the banks of Colonial Park. Now it is fully restored and people are able to walk inside.



Wednesday, April 8, 2015

Chubbin' Around the Lilies

SOLD
11 x 14 
Oil on Wood Panel
For Sale and on Display at Artsource Fine Art, Raleigh, NC

It's that time of year again. Dogwoods are blooming.  Herring, White Perch, Hickory Shad, and Rockfish are running up the Cashie and Roanoke. Gobblers are gobbling,  and folks have their straw hats back on and cane poles in hand. These are all signs that Spring has sprung in Bertie County, but only after Billy "Grunt" Dunlow doesn't see his shadow and then strips down to nothing but denim cutoff shorts and hops on his spit shined cub cadet lawnmower to cut his whole front yard without his cigarette ever leaving his upper lip. This is Nature's call to wake up and come alive!

Billy Grunt Dunlow 
2015


Every Spring we load up our white perch baskets and drive to the Jordan (pronounced Jer-den) Farm to set 'em on the banks of the Roanoke.  At the gate to the farm is a huge metal culvert allowing swamp water to run under the dirt bridge. Folks from around "The Neck" often come here with their poles and throw their lines out around the lily pads catching speckle perch, white perch, brim and the occasional Chub (aka largemouth Bass).  

I love to always pull up in my truck, cut my engine off and roll down the window with the same exact question I had the day before, 

"Caught any?"

" A few,"

" Any Size?"

"Right Fair"

"10-4"

Jordan Farm
Circa 2014







Saturday, April 4, 2015

After The Hunt


9 x 12
Oil on Wood Panel
Alla Prima Still Life

If you've ever been turkey hunting and got one or not, this painting needs no explanation.  For those who haven't, a stiff bourbon after the hunt can either echo the old saying "to the victor belong the spoils" or it can lesson the sting of the agony of defeat. 
Today was the opening day of Youth Week and it was cloudy and rainy - not the ideal morning to fire up a gobbler for a spring fling.  My son and I did get the treat though of watching two brave Jakes fly out of the roost right on top of us and team up on our decoy. The two bullies spurred and feather slapped their inferior opponent and then circled it for almost two hours. With no resistance, their confidence grew and grew by the minute and by mid-morn they were two King Kongs pounding through the wheat field.  This will be shortly lived, however, as they will undoubtedly get their hind-parts handed to them by the end of the day by a gobbler when he sees them acting like that. 

Friday, March 20, 2015

Wake up Mr. Baker! I Need a Ride Across!

11 x 14
Oil on Wood Panel
Plein Air
Painted on location as quick draw practice at Sans Souci Ferry, Woodard, NC

A couple of weekends ago, I ventured over to the library which is only a half a block from my house. I wasn't really looking for anything in particular other than something "arty". Tucked in tightly on an old wooden shelf was the "The Privilege To Paint: The Lives of Francis Speight and Sarah Blakeslee". With self-diagnosed A.D.D.,  I could only muster through a fraction of the written stuff as I, just like a child, was more interested in the pictures of the paintings - especially those by Speight who was a nationally known landscape painter in the early Twentieth Century and a Windsor, Bertie County native who painted many of the subjects and landmarks that I try today - whether it be cypress trees in the Albemarle Sound, farmscapes in Indian Woods, still reflections at Shipyard Landing, or all of the above at Sans Souci.  I really love his paintings of the dirt road that dead ends into the Cashie River facing the Woodard side of the river at Sans Souci  and was inspired to give it a go after studying some of his works in the library. Unfortunately, the lead in road was flooded in swamp water from the recent rain, so I had to hammer down on my horn and wake up Mr. Baker on the Woodard side in the Ferry Office for a ride across.  I felt I could at least paint the Ferry from the hill top above facing back towards that dirt road that Speight painted so many times in his life time.


Sans Souci
Francis Speight
North Carolina Museum of Art


Some of the words I did read in the book that stood out to me were in a  reference to an essay in the 1938 Spring Edition of the Magazine of Art in which the author writes about Speight, " All that he asks of life is the privilege to paint."  I really liked that because that is exactly what it is - a privilege no doubt. Strangely this trip to the library coincided with a conversation that I recently had with an old friend and fellow artist about how painters physically "see" things differently after years of painting.  I somehow got sidetracked on another point with the ADD kicking back in and didn't get a chance to respond to this one in particular, but would have totally agreed and would have added that constantly seeing everyday objects and scenes within the artistic context of color, temperature, value, light and composition is in itself a privilege awarded to those after years of grinding it out time and time again on the canvas or panel.    

After Mr. Baker checked a couple of his fishing lines dangling off the bow of the ferry, he walked up the hill to take a look at my painting and really liked the cypress tree line. I explained to him the warmth needed in the first line and the coolness needed in the second line to give the illusion of depth and distance and how I only needed to paint a few abstract cypress trees to give the illusion of a whole cypress swamp.  He was really taken aback by that and now, for at least that one cypress tree line at Sans Souci, he has the privilege to look at something that he has seen for years in a whole different and fresh way. 

 Capt. Eldridge Baker
Sans Souci Ferry






Saturday, March 14, 2015

Last Sun on Ice Plant Island

SOLD
11 x 14 
Plein Air
Oil on Wood Panel


This is one of those subjects, that I would normally have looked over, but a few years ago John "Possum" Silver showed me this view from Ice Plant Island looking over the creek and marsh as he cranked out a beautiful painting from a sort of blah scene.  Ever since, I have been more attentive of good compositions that just don't pop out at you at once. 

Wanting to practice my quick draw time and with little time to beat the clouds late yesterday afternoon,  I wasn't able to crank this out in the goal of an hour and a half but was able to sign it within two hours before the clouds took out the last bit of sun from the front moving on the Outer Banks. 

Thursday, March 5, 2015

Mr Big

SOLD
20 x 24
Oil on Wood Panel
Will be on display tonight at T Gallery (www.tgalleryraleigh.com)



Another painting of the boss and bully of the barnyard at Taylor Spruill's Operation at Cooper Hill http://spruillbros.com/ .  

Four Drum Band

.
SOLD
18 x 24
Oil on Linen Board
Will be on display at T Gallery tonight and the remainder of March
www.tgalleryraleigh.com

If they ever invent a time machine, my first stop is Nags Head in the early 1900's in the Fall just to meet up with these guys. No fancy fishing gear or modern day neoprene waders in the shadow of an expensive blinged out SUV - just working clothes on lunch break to catch a few red drum for supper. I believe my favorite part would be the ride home in a single cap model T pick up with the windows down and no smart phones, GPS or satellite radio - just passing a fifth back and forth and enjoying the open road. 

A Few More For the Show

All will be do on display tonight and the remainder of March at T Gallery (www.tgalleryraleigh.com)

SOLD
Chubbin Around the Lilies
11 x 14 
Oil on Wood Panel

Late Summer
16 x 20
Oil on Wood Panel

Clearing Up
18 x 24
Plein Air
Oil on Wood Panel

Thawing Out
9 x 12
Oil on Wood Panel
Plein Air

SOLD
Can't Trust a Skinny Chef
11 x 14
Oil on Wood Panel

After The Hunt
8 Sx 10
Oil on Linen Board

SOLD
The Only Thing Missing is A Beer
11 x 14
Oil on Wood Panel

SOLD
Sand Fiddlers
9 x 12
Oil on Wood Panel

The End of The Path
9 x 12
Plein Air
Oil on Wood Panel